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Esther Stocker »Knitterskulpturen«

Editions
Crumpled white fabric with black square pattern on a white background

Creased aluminum-coated paper
mounted on frame, signed on back
circa 40 x 38 x 25 cm (18.9 x 15 x 9.8 inches)
Series of 18 unique works

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Knitterskulpturen, 2020

For her Knitterskulpturen (Creased Sculptures) Esther Stocker prints geometric patterns on aluminium-coated paper sheets in black and white, which are characteristic for her work. By way of creasing or folding she turns them into objects, which might be most aptly described as a “crumpled paper ball”. Just like their larger scale siblings, which occupy interior spaces and sometimes the public space, in part reclining, in part hanging, Stocker's Creased Sculpturesseek to fold and distort the ordered space in a way that they break with the strict geometry that is imposed by modernist forms.

With this intervention, the artist calls into question the assumed rigidity of a system, whilst challenging the perceptive faculty of the viewer. Clarity gives way to disorientation, and solidity provides space for fragility. The maceration of the system becomes the system. The condition of being without a system can only be described by using systems. Because, in the artist’s view, it is an immanent part of a system: “Behind each chaos there is always a sense of order.”

Crumpled black fabric with white stripes arranged into a circular bundle on a white background.

Knitterskulptur (01), 2020

Crumpled black and white striped fabric against a white background.

Knitterskulptur (01), 2020

Black scarf with white diagonal stripes, crumpled into a circular shape on a white background.

Knitterskulptur (02), 2020

Black and white striped fabric crumpled into a knot on a white background.

Knitterskulptur (02), 2020

Crumpled black-and-white striped fabric on a white background.

Knitterskulptur (03), 2020

Black-and-white striped fabric scrunched on a white background.

Knitterskulptur (03), 2020

Crumpled black-and-white striped fabric ball on white background.

Knitterskulptur (04), 2020

Black-and-white striped scarf crumpled against a white wall.

Knitterskulptur (04), 2020

Crumpled black-and-white grid-patterned fabric on a white background.

Knitterskulptur (05), 2020

Crumpled black-and-white grid-patterned scarf draped against a white wall

Knitterskulptur (05), 2020

Crumbled black-and-white checkerboard-patterned fabric ball on a white background.

Knitterskulptur (06), 2020

Crumpled black-and-white grid-patterned fabric against a plain white wall.

Knitterskulptur (06), 2020

Crumpled sheet of paper with black square checker pattern on a white background.

Knitterskulptur (07), 2020

Crumpled fabric with a black-square pattern hanging against a plain white wall.

Knitterskulptur (07), 2020

Zerknitterter weißer Stoffball mit schwarzem Quadratmuster vor hellem Hintergrund.

Knitterskulptur (08), 2020

Zerknitterter Stoff mit schwarzen Quadratmustern an weißer Wand drapiert.

Knitterskulptur (08), 2020

Crumpled black grid-pattern fabric on a white background.

Knitterskulptur (09), 2020

Black and white grid-pattern scarf, crumpled and twisted, on a white background.

Knitterskulptur (09), 2020

Schwarzer Stoffball mit weißem Gittermuster, auf weißem Hintergrund zusammengeknüllt.

Knitterskulptur (10), 2020

Black grid-patterned fabric twisted into a knot against a white background.

Knitterskulptur (10), 2020

Geknittertes schwarz-weißes Quadratmuster-Tuch vor weißer Wand.

Knitterskulptur (11), 2020

Zerknülltes Stoffstück mit schwarz-weißem Quadratmuster an weißer Wand.

Knitterskulptur (11), 2020

Crumpled black-and-white checkerboard fabric on a white background.

Knitterskulptur (12), 2020

Crumbled black-and-white checkered fabric draped against a white wall.

Knitterskulptur (12), 2020

Schwarz-weißes Rastermuster-Tuch (Schal) locker zu einer Schleife geformt, auf weißem Hintergrund.

Knitterskulptur (13), 2020

Black-and-white checkered fabric twisted into a knot against a white background.

Knitterskulptur (13), 2020

Crumpled black-and-white grid-patterned fabric on a white background.

Knitterskulptur (14), 2020

Schal mit schwarz-weißem Rastermuster, zerknüllt an weißer Wand.

Knitterskulptur (14), 2020

Crumpled white fabric with black vertical stripes, arranged on a white background.

Knitterskulptur (15), 2020

Crumpled white fabric with black diagonal stripes, draped against a plain white wall.

Knitterskulptur (15), 2020

Crumpled white striped fabric forming a circular bundle on a white background.

Knitterskulptur (16), 2020

Crumpled white fabric with black vertical stripes against a plain white background.

Knitterskulptur (16), 2020

Crumpled white fabric with a black grid pattern forming a roughly spherical shape against a white background.

Knitterskulptur (17), 2020

Crumpled grid-patterned fabric twisted into a knot against a plain white wall.

Knitterskulptur (17), 2020

Crinkled white fabric with black grid pattern forming a loose ball against a plain white background

Knitterskulptur (18), 2020

Crumpled grid-patterned fabric against a plain white wall.

Knitterskulptur (18), 2020

Esther Stocker

The works by Esther Stocker (born 1974 in Schlanders, South Tyrol, Italy) are pure abstractions, extracted from minimalist media such as the horizontal, the vertical, and the diagonal of space. Her interests involve complex visual systems, which follow along grids, whereby disorder or optical fractures within such geometric order systems form an important element in Esther Stocker’s oeuvre. The reduction to a black and white scheme is distinctive and is a recurring concept in her paintings and installative works and spatial interventions, which the artist herself considers “participatory worlds of perception”.

Stocker studied at the Akademie der Bildenden Künste in Wien, at the Accademia di Belle Arti di Brera in Milan and at the Art Center College of Design in Passadena, California. Since the end of the 90ies, her works have been widely exhibited in solo and group shows, both in Austria and internationally. Frequently, the artist is commissioned to create elaborate large-scale installations and remarkable artistic interventions in the public space. Esther Stocker lives and works in Vienna, where she ranks among the most renowned artists of her generation.

Read our story with Esther Stocker in her studio.

Person standing by a large window, leaning on a radiator, in a bright studio with scattered papers and design models.

Portrait picture: Maximilian Pramatarov

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