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In the Studio James Lewis, Vienna

James Lewis works with the things that remain when certainty disappears — data, photographs, scent, fragments of memory. Born in London, based in Vienna, he builds installations that ask how we construct knowledge, turning a statistic into a sculpture, a memory into a scent.

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In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

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Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

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Bearded person wearing a navy blazer seated on a beige sofa in a bright living room, with an orange pillow and red-on-blue wall art.

Collector Stories Erik Nordenhake, Stockholm

Erik Nordenhake is one of the people to advocate a more progressive art community in Sweden, proclaiming that there can be only one way forward for the traditionally insular Swedish art world, which is to venture beyond Scandinavian borders, letting more outsiders in, and encouraging artists to pursue a career outside Sweden.

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Culture Briefing

Where to meet art, culture and creativity

Nordic Notes

Adult woman in red blouse sits beside a window with a small scruffy dog, surrounded by potted plants in a cozy living room

Terike Haapoja, New York City
From launching a political party for the others – all beings excluded from political society today – to the critique of human exploitation of the nonhuman world, Finnish new media artist Terike Haapoja is situating her art to encompass the most difficult topics of our time. She has a message for us: not only do we have a necessity to break the human-centered world order, but also to foster better communication between each other.
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Editions

Row of tall pastel-colored arch-shaped panels standing upright on a white surface.

Madeleine Boschan
»What lays bare in me«

Weathered concrete wall with rough texture, moss and lichen, and dark damp stains along a waterline.

John Skoog
»Walls«

Two framed monochrome prints on a white wall; left shows a tangled black line drawing, right shows bold black shapes resembling leaves on branches.

Edin Zenun
Taking Cuts

Exhibitions

Sophie Hirsch I Maruša Sagadin
11 September – 17 October 2026

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