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In the Studio James Lewis, Vienna

James Lewis works with the things that remain when certainty disappears — data, photographs, scent, fragments of memory. Born in London, based in Vienna, he builds installations that ask how we construct knowledge, turning a statistic into a sculpture, a memory into a scent.

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In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

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Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

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Adult wearing glasses gestures while speaking to seated adult on a colorful bedspread in a bedroom.

Collector Stories Nina Gscheider and Franz Ihm, Vienna

Not only are Nina Gscheider and Franz Ihm passionate about collecting art, but they also want to bring art insurance into the twenty-first century by offering insurance for works of art and other important items online via their platform Segurio. During a conversation in their Viennese apartment the two provide insight into their life between policies, international fairs – and above all – works of art.

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Culture Briefing

Where to meet art, culture and creativity

Nordic Notes

Woman with ponytail in a black shirt stands beside a large stainless steel spiral sculpture in a workshop.

Liva Isakson Lundin, Stockholm
Since graduating from art school in her native Sweden, Liva Isakson Lundin has quickly risen to become one of the most distinguished and distinctive artists of her generation. Recently her sculptural and installation practice has begun to take on an awe-inspiring form and scale, in which her role as artist appears to become akin to that of a technical engineer.
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Editions

Abstract black-ink line drawing framed in white mat with black wooden frame on a light wall.

Peter Jellitsch
»Artifacts of the Future«

Faded white page with random blue-black ink specks and faint bottom text.

Andreas Duscha
»For my mother«

Crumpled black-and-white striped fabric on a white background.

Esther Stocker
»Knitterskulpturen«

Exhibitions

Sophie Hirsch I Maruša Sagadin
11 September – 17 October 2026

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