In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

Adult female with blonde ponytail in a dark sweatshirt stands with arms crossed amid tall cacti in a sunlit garden.

In the Studio Megan Plunkett, Los Angeles, CA

American artist Megan Plunkett turns away from depicting people, instead focusing on everyday objects. Drawn from consumer culture, and the film industry, her carefully constructed photographic series cultivate a sense of estrangement within things that might otherwise feel familiar.

Blonde-haired person in a white dress sits on a black sofa, smiling, in a library with colorful book-filled shelves.

Collector Stories Sanna-Mari Jäntti, Helsinki

With the initiative to establish a Guggenheim museum, the city of Helsinki has undertaken yet another step to raise its profile among an international art scene that could benefit the entire Nordic region. We met Sanna-Mari Jäntti, who has played a crucial role in the Guggenheim Helsinki project (that unfortunately has been discontinued), to talk with her about the initial challenges of the project, how David beat Goliath in the world’s largest architectural competition, and how doing it the “Finnish way” made all the difference.

Culture Briefing

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Nordic Notes

Adult woman in red blouse sits beside a window with a small scruffy dog, surrounded by potted plants in a cozy living room

Terike Haapoja, New York City
From launching a political party for the others – all beings excluded from political society today – to the critique of human exploitation of the nonhuman world, Finnish new media artist Terike Haapoja is situating her art to encompass the most difficult topics of our time. She has a message for us: not only do we have a necessity to break the human-centered world order, but also to foster better communication between each other.
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