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In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

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Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

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Adult female with blonde ponytail in a dark sweatshirt stands with arms crossed amid tall cacti in a sunlit garden.

In the Studio Megan Plunkett, Los Angeles, CA

American artist Megan Plunkett turns away from depicting people, instead focusing on everyday objects. Drawn from consumer culture, and the film industry, her carefully constructed photographic series cultivate a sense of estrangement within things that might otherwise feel familiar.

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Mann in dunklem Hemd sitzt an weißer Theke neben farbigem Wandkunst-Text ANGRY YOUNG MEN.

Collector Stories Jan Widlund, Stockholm

Jan Widlund is considered one of the most avid collectors in the Swedish contemporary art scene and is recognized for having discovered and paved the way for many emerging Swedish artists. His standards of collecting are uncompromising and living up to nothing less than museum quality.

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Culture Briefing

Where to meet art, culture and creativity

Nordic Notes

Lächelnde Frau in schwarzem T-Shirt steht an einem Atelier-Arbeitsplatz mit Papierrollen, Rahmen und Materialien.

Sofie Thorsen, Vienna
Sofie Thorsen poses abstract questions on the subject of space, its formal language and design, always starting from concrete architectural, temporal and geographical situations. In her "Play Sculptures", for example, she deals with a forgotten typology of forms during the art-in-architecture movement of the post-war period, emphasizing the intertwined character of abstract sculpture, architecture and urban planning, aesthetics and society.
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Editions

Two rectangular abstract paintings hung on a white wall; left panel cobalt blue with multicolored shapes, right panel dark gray with blue patches.

Yorgos Stamkopoulos
»Untitled«

Kunstinstallation: gefaltete Stoffpaneele mit Fleischmuster, aufgehängt auf Metallgestell in hellem Ausstellungsraum.

Lúa Coderch
»Souvenir [Onyx]«

Row of tall rainbow-gradient panels mounted on a white gallery wall.

Jonny Niesche
»Aura Panels«

Exhibitions

Sophie Hirsch I Maruša Sagadin
11 September – 17 October 2026

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