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In the Studio James Lewis, Vienna

James Lewis works with the things that remain when certainty disappears — data, photographs, scent, fragments of memory. Born in London, based in Vienna, he builds installations that ask how we construct knowledge, turning a statistic into a sculpture, a memory into a scent.

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In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

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Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

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Collector Stories Katharina Baukhage, Berlin

Katharina Bauckhage founded artflash in 2012 as the first online gallery for artworks and limited editions in the German-speaking world. The platform appeals to newcomers and established collectors alike — more than 1,000 editions by over 500 artists have been sold to date.

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Culture Briefing

Where to meet art, culture and creativity

Nordic Notes

Person with neon-green hair sits in a chair, raises one leg high, drinks water; art studio with poster boards in the background.

Artor Jesus Inkerö, Amsterdam
What if your whole life were a performance? Queer performance artist Artor Jesus Inkerö dives deep into traditional forms of masculinity in their long-term performative research. Their infiltration into the subculture at the gym led to a transformation that had ripple effects far beyond the quest for muscle gain.
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Editions

Crumpled black-and-white striped fabric on a white background.

Esther Stocker
»Knitterskulpturen«

Blue-white neon sign spelling hygge in cursive, mounted on a metal bar against a pale wall.

Brigitte Kowanz
»12igh20«

Purple thick rounded-square letter O on white background.

Gerold Miller
»total object 360«

Exhibitions

Sophie Hirsch I Maruša Sagadin
11 September – 17 October 2026

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