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In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

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Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

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Adult female with blonde ponytail in a dark sweatshirt stands with arms crossed amid tall cacti in a sunlit garden.

In the Studio Megan Plunkett, Los Angeles, CA

American artist Megan Plunkett turns away from depicting people, instead focusing on everyday objects. Drawn from consumer culture, and the film industry, her carefully constructed photographic series cultivate a sense of estrangement within things that might otherwise feel familiar.

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Adult man with glasses stands with arms crossed in front of a large framed painting in a bright interior.

Collector Stories Timo Miettinen, Berlin

Timo Miettinen's collection focuses primarily on painting and comprises more than 1,200 works by artists of different generations and nationalities. We met him in his Berlin home and to talk about his passion for collecting, his eye for recognizing talented young artists, and how the art historical canon is likely to change in the future.

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Culture Briefing

Where to meet art, culture and creativity

Nordic Notes

Person with dark hair and glasses, in a black turtleneck and jacket, stands with arms crossed in an art studio with pastel canvases.

Marianna Uutinen, Berlin
For over thirty years, Finnish artist Marianna Uutinen has been making works that reject the making of gestural marks in favor of an expanded notion of painting. She is best known for her large-scale abstract paintings made using her signature technique, which comprises building up layers of acrylic paint to make a skin and then draping these skins directly onto the canvas.
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Editions

Three green chairs with beige burlap draped over them, pooling on the white floor.

Tyler Mallison
»Untitled (Chair Constructions)«

Rectangular wall-mounted LED light panel glowing blue on a blue wall

Regine Schumann
»colormirror soft double satin blue vienna«

Framed grayscale abstract mannequin bust in left profile against a white wall.

Tina Lechner
»Gina«

Exhibitions

Sophie Hirsch I Maruša Sagadin
11 September – 17 October 2026

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