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In the Studio James Lewis, Vienna

James Lewis works with the things that remain when certainty disappears — data, photographs, scent, fragments of memory. Born in London, based in Vienna, he builds installations that ask how we construct knowledge, turning a statistic into a sculpture, a memory into a scent.

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In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

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Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

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Gray-haired man in a dark blazer sits on a light sofa, leaning forward and looking to the left, in a modern studio with sculptures.

Collector Stories Michael Trestik, Prague

Married to famous documentary filmmaker Helena Trestikova and father to Tomas Trestik, one of the leading Czech photographers, Michael Trestik is a person of public interest himself, with an interesting biography. He is also a passionate collector of antiques, ceramics, and art. We met Michael Trestik in his home above the rooftops of Prague’s Letná district and talked with him, among others, about his passion for collecting, why he is now divesting of his collection nonetheless, and what motivated him lately to trade in his pencil for an artist‘s crayon.

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Culture Briefing

Where to meet art, culture and creativity

Nordic Notes

Artist seen from behind, adjusting a large black canvas in a bright studio with neon-yellow artwork on the wall.

Ville Kylätasku, Berlin
Ville Kylätasku explores existential themes both on the level of the reality we see and experience, and within the context of perceptual psychology. Painted on black or foggy sheets of hi-tech PVC, the paintings evince the artist’s fascination for different materials, textures and processes.
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Editions

Concrete slab sculpture with clustered embedded rocks, standing on a beige floor against a pale wall.

Christoph Weber
»Close Disclose«

Two tall blue abstract panels hung on a white gallery wall, suspended by thin wires with wooden top and bottom bars.

Andreas Duscha
»Perpetuum«

Abstract black-ink line drawing framed in white mat with black wooden frame on a light wall.

Peter Jellitsch
»Artifacts of the Future«

Exhibitions

Sophie Hirsch I Maruša Sagadin
11 September – 17 October 2026

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