In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

Adult female with blonde ponytail in a dark sweatshirt stands with arms crossed amid tall cacti in a sunlit garden.

In the Studio Megan Plunkett, Los Angeles, CA

American artist Megan Plunkett turns away from depicting people, instead focusing on everyday objects. Drawn from consumer culture, and the film industry, her carefully constructed photographic series cultivate a sense of estrangement within things that might otherwise feel familiar.

Young adult in navy V-neck sweater stands with hands in pockets in a bright minimalist room, with wall photo, card display, and orange book on table.

Collector Stories Lukas Jakob, Gundelfingen, Germany

Lukas Jakob started his private collection of Contemporary Art in 2016 by buying a tie by Katharina Grosse. His last acquisitions, however, are incomparably larger: he now concentrates on expansive installations. His residence in the tri-border area between Germany, Switzerland and France gives him a regional and international outlook on art.

Culture Briefing

Where to meet art, culture and creativity

Nordic Notes

Male artist leaning on a wooden cabinet in an art studio, with paint jars and an abstract painting in the background.

Johannes Hägglund, Stockholm
Swedish painter Johannes Hägglund belongs to a fortunate few within his generation of artists who have had the good fortune to be represented by a reputable gallery while still at art school. In this interview, Johannes elaborates on how decisions and choices in his practice relate to the continuous striving to evolve his craft as a painter. While neither a purely abstract nor figurative painter, the artist says he is less interested in the motif than in the associated painterly process.
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