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In the Studio James Lewis, Vienna

James Lewis works with the things that remain when certainty disappears — data, photographs, scent, fragments of memory. Born in London, based in Vienna, he builds installations that ask how we construct knowledge, turning a statistic into a sculpture, a memory into a scent.

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In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

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Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

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Person standing in a bright, modern living room with green sofa, arc floor lamp, framed artwork, and potted plants.

Collector Stories Pierre Nabhan, Paris

Pierre Nabhan is the co-founder of the branding and word design agency JoosNabhan, he is also Lecturer at the University of SciencesPo Paris, and a published writer. Pierre has been collecting art for the past twenty years. We talk about not chasing after every new art world trend, how to decide what to buy and live with it happily, and about falling in and out of love (and in again) with particular works in his collection.

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Culture Briefing

Where to meet art, culture and creativity

Nordic Notes

Two men stand side by side in a workshop area; one wears a blue t-shirt, the other a white t-shirt with a large black oval.

Elmgreen & Dragset, Berlin
From turning the Whitechapel Gallery into a swimming pool to installing a luxury apartment in the Nordic Pavilion at the Venice Biennale 2009, Elmgreen & Dragset are best known for creating immersive installations that, in their own words, “camouflage the white cube”.
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Editions

Framed blue textile artwork with swirling ocean-like patterns mounted on a white wall.

Andreas Duscha
Kerndruck

Triptych of textile art: canvases with blue brushstrokes mounted on white fabric with dark-blue edges, displayed on a white wall.

Charlotte Klobassa
»Signature Moves«

Purple thick rounded-square letter O on white background.

Gerold Miller
»total object 360«

Exhibitions

Sophie Hirsch I Maruša Sagadin
11 September – 17 October 2026

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