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In the Studio James Lewis, Vienna

James Lewis works with the things that remain when certainty disappears — data, photographs, scent, fragments of memory. Born in London, based in Vienna, he builds installations that ask how we construct knowledge, turning a statistic into a sculpture, a memory into a scent.

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In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

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Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

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Mann in dunklem Hemd sitzt an weißer Theke neben farbigem Wandkunst-Text ANGRY YOUNG MEN.

Collector Stories Jan Widlund, Stockholm

Jan Widlund is considered one of the most avid collectors in the Swedish contemporary art scene and is recognized for having discovered and paved the way for many emerging Swedish artists. His standards of collecting are uncompromising and living up to nothing less than museum quality.

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Culture Briefing

Where to meet art, culture and creativity

Nordic Notes

Collectors Agenda's view on the Nordic art scene

Smiling person in a black t-shirt stands in a textile workshop beside shelves of yarn cones and fabric rolls.

Pia Ferm, Frankfurt
Be it carving, weaving or tufting, Pia Ferm defines herself as a sculptor. In her neat tapestries, hand-trimmed to keep the surface alive, the Swedish artist mixes a pretty medium with humor, creating figures that are frozen in time like cartoons. Time is essential for Ferm but not in the way you might think. She has plenty of it.
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Editions

Exclusive limited editions and work series

Six pastel-framed abstract gradient panels on a white gallery wall, each with a dark central oval surrounded by bright color rings.

Jonny Niesche
»Chocolate Box Portals«

White wall with a black geometric wall sculpture and a crumpled black-and-white grid-patterned textile hanging beside a doorway.

Esther Stocker
»Knitterskulpturen«

Two framed abstract paintings on a white wall; left blue and green shapes on blue, right pink with green and blue brushstrokes.

Ilari Hautamäki
»Sketch for dawn«

Exhibitions

Currently on show at our project space in Vienna

Sophie Hirsch I Maruša Sagadin
11 September – 17 October 2026

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