In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

Adult female with blonde ponytail in a dark sweatshirt stands with arms crossed amid tall cacti in a sunlit garden.

In the Studio Megan Plunkett, Los Angeles, CA

American artist Megan Plunkett turns away from depicting people, instead focusing on everyday objects. Drawn from consumer culture, and the film industry, her carefully constructed photographic series cultivate a sense of estrangement within things that might otherwise feel familiar.

Collector Stories Katharina Baukhage, Berlin

Katharina Bauckhage founded artflash in 2012 as the first online gallery for artworks and limited editions in the German-speaking world. The platform appeals to newcomers and established collectors alike — more than 1,000 editions by over 500 artists have been sold to date.

Culture Briefing

Where to meet art, culture and creativity

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Each autumn, 24 Vienna-based galleries invite international curators to respond to a changing theme in the form of an exhibition, reflecting on the pressing issues of our time. The 17th edition of curated by will take place from September 11 to October 17, 2026, unfolding across Vienna under the theme of “LOVE” and affirming its role as a hub for artistic experimentation and critical discourse. Rooted in collaboration between galleries in Vienna and initiated to foster international exchange, curated by offers an overview of the multifaceted landscape of contemporary art in the city.

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Iranian-born artist Soli Kiani creates a body of work in which fabric becomes both a formative substance and a carrier of social meaning. Themes such as origin, physicality, and negotiating patriarchal structures are combined in her work with a distinctive, sculptural language. For the Dominikanerkirche Krems, she has conceived a spatial installation in which textile materials serve as the central artistic medium.

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Founded in 2013, PARALLEL Vienna is dedicated to transforming unconventional, vacant spaces into dynamic exhibition venues. Held annually in September, the fair offers a curated, experimental environment where emerging talents intersect with established artists, galleries, institutions, and independent initiatives. Emphasizing site-specific interventions, performances, and artist-led projects—enhanced by music events and culinary concepts—PARALLEL Vienna fosters novel experiences and encounters between art, its creators, and the audience

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Die Swab Barcelona findet vom 8. bis 11. Oktober im Victoria-Eugenia-Palast
(auf dem Gelände der Fira Barcelona-Montjuic in Barcelona, Spanien) auf einer Fläche von
mehr als 3.150 m² statt, wobei wiederverwendbare Materialien wie Holz zum Einsatz kommen, um den
ökologischen Fußabdruck der Veranstaltung zu minimieren und Abfall zu reduzieren. Unter dem Leitmotiv der Sonnenfinsternis als Perspektivwechsel führt die internationale unabhängige Kunstplattform, auf der mehr als 180 Künstler:innen aus 22 verschiedenen Ländern vertreten sein werden, erstmals das OFF-SITE-Programm ein und setzt sich für die Dezentralisierung der künstlerischen Praxis sowie die Stärkung gemeinschaftlicher Bindungen ein. Damit reagiert sie auf die Notwendigkeit, Ausstellungs- und Marktstrukturen angesichts der aktuellen klimatischen und gesellschaftspolitischen Krise zu überdenken.

Nordic Notes

Artisan with red-framed glasses stands with arms crossed in a workshop, beside a sprawling metal sculpture and pegboard of tools.

Rune Guneriussen, Vestfossen, Norway
Having worked in the Norwegian wilderness for years, Rune Guneriussen has experienced how gradual changes in that environment have impacted on his art. Being at the mercy of nature for the production of his art, his relationship with nature, has become more fragile than in the past, to the point where he no longer feels welcome in nature.
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