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In the Studio James Lewis, Vienna

James Lewis works with the things that remain when certainty disappears — data, photographs, scent, fragments of memory. Born in London, based in Vienna, he builds installations that ask how we construct knowledge, turning a statistic into a sculpture, a memory into a scent.

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In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

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Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

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Adult person sits on a blue sofa in a living room, smiling with hands folded; green vintage race car model on the windowsill.

Collector Stories Henrik Kanekrans, Stockholm

Having been exposed to art already as a child, it had always felt natural to Henrik Kanekrans, a young collector and entrepreneur from Stockholm, to make art an everyday part of his live. With his venture, called Artworks, Henrik has combined his passion for art and his business acumen to help art passionates such as himself navigate the jungle of internationally available art.

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Culture Briefing

Where to meet art, culture and creativity

Nordic Notes

Black model stands in a showroom between dark leather jackets and white padded garments, wearing a sleeveless gray dress with arms folded.

Sandra Mujinga, Oslo/Berlin
Inspired by science fiction and animal survival strategies, Congolese-Norwegian artist Sandra Mujinga explores themes of visibility and surveillance. She builds her own speculative space with ghosts from colonial history that she ties to difficult and sometimes uncomfortable questions pertaining to today.
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Editions

White wall with a black geometric wall sculpture and a crumpled black-and-white grid-patterned textile hanging beside a doorway.

Esther Stocker
»Knitterskulpturen«

Two tall blue abstract panels hung on a white gallery wall, suspended by thin wires with wooden top and bottom bars.

Andreas Duscha
»Perpetuum«

Diptych: left panel with dark blue textured surface; right panel with blue and white speckled pattern.

Clemens Wolf
»Expanded Metal Pigment Paintings«

Exhibitions

Sophie Hirsch I Maruša Sagadin
11 September – 17 October 2026

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