De

Esther Stocker »Knitterskulpturen«

Editions
Crumpled black-and-white striped fabric ball against a white wall.

Aluminum-coated paper, printed-on and crumpled,
mounted on wooden frame
circa 32 x 35 x 14 cm (12.6 x 13.8 x 5.5)
Series of 12 unique pieces + 4 AP

SOLD - please contact us for similar works


Two geometric-patterned fabrics draped on a white wall in a minimalist interior.

Knitterskulpturen, 2018

For her Knitterskulpturen (Creased Sculptures) Esther Stocker prints geometric patterns on aluminium-coated paper sheets in black and white, which are characteristic for her work. By way of creasing or folding she turns them into objects, which might be most aptly described as a “crumpled paper ball”. Just like their larger scale siblings, which occupy interior spaces and sometimes the public space, in part reclining, in part hanging, Stocker's Creased Sculptures seek to fold and distort the ordered space in a way that they break with the strict geometry that is imposed by modernist forms.

With this intervention, the artist calls into question the assumed rigidity of a system, whilst challenging the perceptive faculty of the viewer. Clarity gives way to disorientation, and solidity provides space for fragility. The maceration of the system becomes the system. The condition of being without a system can only be described by using systems. Because, in the artist’s view, it is an immanent part of a system: “Behind each chaos there is always a sense of order.”

Crumpled black-and-white striped fabric against a white wall.
Crumpled black fabric with white geometric line pattern on a plain white background.
Crumpled black fabric with white grid pattern, arranged into a large knot against a plain white wall.
Crumpled white fabric with a black geometric lattice pattern, draped against a plain white wall.
Black-and-white striped fabric twisted into a knot against a pale textured wall.
Crumpled white fabric with a black geometric triangular lattice pattern against a plain light wall.
Crumpled black-and-white striped fabric against a plain white wall.
Crumpled black fabric with white interconnected lines forming triangles against a white wall.
Crinkled white fabric with a black grid pattern, draped against a plain light wall.
Zerknülltes Stoffstück mit Schwarz-Weiß-Streifen vor heller Wand.
Zerknülltes weißes Stoffstück mit schwarzem Gittermuster vor hellem Hintergrund.

Esther Stocker 

The works by Esther Stocker (born 1974 in Schlanders, South Tyrol, Italy) are pure abstractions, extracted from minimalist media such as the horizontal, the vertical, and the diagonal of space. Her interests involve complex visual systems, which follow along grids, whereby disorder or optical fractures within such geometric order systems form an important element in Esther Stocker’s oeuvre. The reduction to a black and white scheme is distinctive and is a recurring concept in her paintings and installative works and spatial interventions, which the artist herself considers “participatory worlds of perception”.

Stocker studied at the Akademie der Bildenden Künste in Wien, at the Accademia di Belle Arti di Brera in Milan and at the Art Center College of Design in Passadena, California. Since the end of the 90ies, her works have been widely exhibited in solo and group shows, both in Austria and internationally. Frequently, the artist is commissioned to create elaborate large-scale installations and remarkable artistic interventions in the public space. Esther Stocker lives and works in Vienna, where she ranks among the most renowned artists of her generation.

Read our story with Esther Stocker in her studio.

Person in striped long-sleeve shirt and blue jeans sits on a bench, touching their chin with a thoughtful smile in a bright studio with model ships.

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