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Max Freund Skulptur im Park II

Editions
Abstract textile collage with vertical green, yellow, and dark strips; framed and hung on a white wall.

Oil and collage on wooden panel
wooden frame
Series of 10 unique works
42 x 33 cm

1.800 Euro

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Skulptur im Park II (2025)

For Collectors Agenda, Max Freund has developed the series Skulptur im Park II (2025). The ten oil and collage works on wood (each 40 × 30 cm) build on an earlier series while shifting the focus more strongly to tactile qualities. Thickly applied paint, relief-like surfaces, and collaged fabrics produce images that, depending on the light, take on the quality of dioramas. Rather than centering on a single figure, the works present layered constellations of abstract objects and situations brought into relation within an imagined park.

The park fascinates Max Freund both as a social and visual site. Neither private nor professional, it is a democratic space accessible to all, where social differences recede into the background. Here, people, sculptures, trees, playground structures, and architectural elements meet on equal terms. In Freund’s paintings, they appear as equivalent actors, collectively animating the pictorial space. The series thus envisions the park as a site of possibility, where community and individuality, memory and the present intertwine.

Framed abstract painting on white wall; vibrant geometric panels in yellow, green, purple, red with black lines.

Max Freund, Skulptur im Park II 1 (2025)

Framed abstract mixed-media artwork with purple background, black curved lines, yellow circle, and pink vertical blob.

Max Freund, Skulptur im Park II 2 (2025)

Framed textured abstract collage with irregular green, blue, yellow, and brown shapes on a white wall.

Max Freund, Skulptur im Park II 3 (2025)

Abstract textile collage framed in black, displayed on a white wall; vibrant orange geometric forms with multicolor patches on a red backdrop.

Max Freund, Skulptur im Park II 4 (2025)

Textured abstract artwork with vibrant green, pink, blue shapes in a black frame on a white wall.

Max Freund, Skulptur im Park II 5 (2025)

Textured mixed-media forest collage in a black frame; vines and tree forms on panels, ladder-like right grid with orange circles, and a red abstract band along the bottom.

Max Freund, Skulptur im Park II 6 (2025)

Three framed abstract textile panels mounted on a white gallery wall.

Max Freund, Skulptur im Park II 6, 9 and 8 (2025)

Framed textile collage showing a central dark silhouette with raised arms among geometric, multicolored shapes on a textured surface on a white wall.

Max Freund, Skulptur im Park II 7 (2025)

Framed abstract textile artwork with green, yellow, and navy geometric blocks mounted on a white wall.

Max Freund, Skulptur im Park II 8 (2025)

Two framed textile artworks on a white gallery wall; abstract, multicolored fabric collages.

Max Freund, Skulptur im Park II 5 and 7 (2025)

Framed abstract painting with textured geometric blocks and blue vertical stripes, displayed on a white wall.

Max Freund, Skulptur im Park II 9 (2025)

Framed abstract textile collage featuring dark blue yarn over multicolored fabric shapes and yellow knots on a wall.

Max Freund, Skulptur im Park II 10 (2025)

Max Freund

Max Freund (*1992) approaches painting as an open field for exploring the human condition. His images emerge from the observation of culture—drawing on art history and pop culture, subcultural movements, music, books, as well as personal archives and everyday situations. Within them resonate themes of fragility, dependency, and alienation, but equally of community and shared experience. This ambivalence—between proximity and distance, familiarity and strangeness—shapes Freund’s visual worlds. His works often appear enigmatic and open-ended, offering narratives that resist rational explanation or neatly contained meaning.

Person wearing a pink cap and checkered shirt holds a large colorful abstract painting in an art studio.

Portrait: Maximilian Pramatarov

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