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In the Studio James Lewis, Vienna

James Lewis works with the things that remain when certainty disappears — data, photographs, scent, fragments of memory. Born in London, based in Vienna, he builds installations that ask how we construct knowledge, turning a statistic into a sculpture, a memory into a scent.

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In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

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Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

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Man and woman sit on a white sofa, conversing in a bright living room with a coffee table and teapot.

Collector Stories Miriam Strobach and Gregor Einetter, Vienna

The studio of Miriam Strobach and Gregor Einetter is located in the attic of a magnificent house in Vienna’s inner city, the former apartment of the designer Helmut Lang. These two creatives are the founders of the agency “Le Foodink”, which combines design with culinary matters, as well as observing and commenting on the bustling Viennese art scene.

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Culture Briefing

Where to meet art, culture and creativity

Nordic Notes

Adult man in white T-shirt and cap smiling, standing in a busy art studio surrounded by colorful sculptures and textiles.

Tal R, Copenhagen
At first glance Tal R’s exuberant colorful paintings may give the false impression of being childishly simple. Looking closer, a subtle complexity emerges from his work. What appeared joyful and playful suddenly draws the viewer into a world of myths and darker themes.
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Editions

Blue-white neon sign spelling hygge in cursive, mounted on a metal bar against a pale wall.

Brigitte Kowanz
»12igh20«

Kunstinstallation: gefaltete Stoffpaneele mit Fleischmuster, aufgehängt auf Metallgestell in hellem Ausstellungsraum.

Lúa Coderch
»Souvenir [Onyx]«

Graphic pattern of navy blue and white horizontal stripes.

Jacob Dahlgren
»No Stars, But Stripes«

Exhibitions

Sophie Hirsch I Maruša Sagadin
11 September – 17 October 2026

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