In the Studio Stanislav Zábrodský, Prague
In the Studio Stanislav Zábrodský, Prague
In the Studio Pamela Rosenkranz, Zurich
In the Studio Ju Young Kim, Seoul
Collector Stories Axel Anderl and Kathrin Weber, Vienna
Where to meet art, culture and creativity
Seven weeks, 14 opera productions, three world premieres and a wealth of concerts: this is the Munich Opera Festival 2026. The programme covers a wide range: from Baroque – with George Frideric Handel’s *Alcina* as the festival premiere at the Prinzregententheater – through 19th-century opera classics to contemporary musical theatre. With Brett Dean’s Of One Blood – a commission from the Bavarian State Opera – the world premiere production from the current season returns once again to the Nationaltheater. With the festival premiere of Richard Wagner’s Die Walküre at the Nationaltheater, Tobias Kratzer and Vladimir Jurowski set another milestone for the new Munich Ring of the Nibelung, following their acclaimed production of Rheingold.
The exhibition Spiral Economy at the Museo Correr stages a dialogue between Julian Charrière and Antonio Canova, placing stone at the center as a poetic material and witness of time. It invites reflection on the relationship between humanity, matter, and time, presenting stone as a living bearer of geological and planetary history.
Robert Rauschenberg (1925–2008) is considered one of the most influential American artists of the twentieth century and a pioneer of Pop Art and Conceptual Art. He became internationally renowned for his “Combines”, in which he fused everyday materials and printed media with abstract painting. Through these works, he sought to bridge the gap between art and life. The Kunsthalle Krems is presenting the first comprehensive solo exhibition of Rauschenberg’s work in Austria. The retrospective concludes an international series of exhibitions commemorating the artist’s 100th birthday.
Sofie Thorsen, Vienna
Sofie Thorsen poses abstract questions on the subject of space, its formal language and design, always starting from concrete architectural, temporal and geographical situations. In her "Play Sculptures", for example, she deals with a forgotten typology of forms during the art-in-architecture movement of the post-war period, emphasizing the intertwined character of abstract sculpture, architecture and urban planning, aesthetics and society.
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Gerold Miller
»total object 360«
Brigitte Kowanz
»12igh20«
Manuel Tainha
»PATHWAYS«
WRAP UP Winter Salon
