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In the Studio James Lewis, Vienna

James Lewis works with the things that remain when certainty disappears — data, photographs, scent, fragments of memory. Born in London, based in Vienna, he builds installations that ask how we construct knowledge, turning a statistic into a sculpture, a memory into a scent.

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In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

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Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

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Two adults posing in an art gallery; woman in a mint blazer dress, man in a navy pinstripe suit, colorful artworks on the walls.

Collector Stories Oliver Elst and Laura del Arco, Berlin

Oliver Elst and Laura del Arco are a well-known collector couple based in Berlin and Barcelona. Laura, a fashion designer and art director and Oliver a former car designer, both long term expats in Shanghai, China, entered the world of art collecting several years ago and, since then, have built significant art collections individually and together.

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Culture Briefing

Where to meet art, culture and creativity

Nordic Notes

Male artist leaning on a wooden cabinet in an art studio, with paint jars and an abstract painting in the background.

Johannes Hägglund, Stockholm
Swedish painter Johannes Hägglund belongs to a fortunate few within his generation of artists who have had the good fortune to be represented by a reputable gallery while still at art school. In this interview, Johannes elaborates on how decisions and choices in his practice relate to the continuous striving to evolve his craft as a painter. While neither a purely abstract nor figurative painter, the artist says he is less interested in the motif than in the associated painterly process.
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Editions

Abstract textile artwork featuring pink fabric panels and a beige square with a branch sketch, framed in light wood

Manuel Tainha
»PATHWAYS«

Weathered concrete wall with rough texture, moss and lichen, and dark damp stains along a waterline.

John Skoog
»Walls«

Crumpled black-and-white striped fabric on a white background.

Esther Stocker
»Knitterskulpturen«

Exhibitions

Sophie Hirsch I Maruša Sagadin
11 September – 17 October 2026

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