In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

Adult female with blonde ponytail in a dark sweatshirt stands with arms crossed amid tall cacti in a sunlit garden.

In the Studio Megan Plunkett, Los Angeles, CA

American artist Megan Plunkett turns away from depicting people, instead focusing on everyday objects. Drawn from consumer culture, and the film industry, her carefully constructed photographic series cultivate a sense of estrangement within things that might otherwise feel familiar.

Adult wearing glasses gestures while speaking to seated adult on a colorful bedspread in a bedroom.

Collector Stories Nina Gscheider and Franz Ihm, Vienna

Not only are Nina Gscheider and Franz Ihm passionate about collecting art, but they also want to bring art insurance into the twenty-first century by offering insurance for works of art and other important items online via their platform Segurio. During a conversation in their Viennese apartment the two provide insight into their life between policies, international fairs – and above all – works of art.

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Die Swab Barcelona findet vom 8. bis 11. Oktober im Victoria-Eugenia-Palast
(auf dem Gelände der Fira Barcelona-Montjuic in Barcelona, Spanien) auf einer Fläche von
mehr als 3.150 m² statt, wobei wiederverwendbare Materialien wie Holz zum Einsatz kommen, um den
ökologischen Fußabdruck der Veranstaltung zu minimieren und Abfall zu reduzieren. Unter dem Leitmotiv der Sonnenfinsternis als Perspektivwechsel führt die internationale unabhängige Kunstplattform, auf der mehr als 180 Künstler:innen aus 22 verschiedenen Ländern vertreten sein werden, erstmals das OFF-SITE-Programm ein und setzt sich für die Dezentralisierung der künstlerischen Praxis sowie die Stärkung gemeinschaftlicher Bindungen ein. Damit reagiert sie auf die Notwendigkeit, Ausstellungs- und Marktstrukturen angesichts der aktuellen klimatischen und gesellschaftspolitischen Krise zu überdenken.

Nordic Notes

Adult woman in red blouse sits beside a window with a small scruffy dog, surrounded by potted plants in a cozy living room

Terike Haapoja, New York City
From launching a political party for the others – all beings excluded from political society today – to the critique of human exploitation of the nonhuman world, Finnish new media artist Terike Haapoja is situating her art to encompass the most difficult topics of our time. She has a message for us: not only do we have a necessity to break the human-centered world order, but also to foster better communication between each other.
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