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In the Studio James Lewis, Vienna

James Lewis works with the things that remain when certainty disappears — data, photographs, scent, fragments of memory. Born in London, based in Vienna, he builds installations that ask how we construct knowledge, turning a statistic into a sculpture, a memory into a scent.

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In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

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Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

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Two adults posing and smiling in a bright, modern living space with a staircase, geometric metal chandelier, and bookshelf.

Collector Stories Axel Anderl and Kathrin Weber, Vienna

Kathrin Weber and Axel Anderl, two successful lawyers, share not only a passion for art, but a flat in the attic of a Viennese Gründerzeit house. When the latter became too small for the contemporary art they had collected, the idea for an art space was born.

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Culture Briefing

Where to meet art, culture and creativity

Nordic Notes

Two men stand side by side in a workshop area; one wears a blue t-shirt, the other a white t-shirt with a large black oval.

Elmgreen & Dragset, Berlin
From turning the Whitechapel Gallery into a swimming pool to installing a luxury apartment in the Nordic Pavilion at the Venice Biennale 2009, Elmgreen & Dragset are best known for creating immersive installations that, in their own words, “camouflage the white cube”.
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Editions

Concrete building with large oval openings; two white vintage cars parked in ground-level garages.

Werner Feiersinger
»Untitled (Chandigarh)«

Colorful cross-shaped interlocking blocks forming a 4-by-4 grid on a white surface.

Anna Jermolaewa
»Adapters«

Six pastel-framed abstract gradient panels on a white gallery wall, each with a dark central oval surrounded by bright color rings.

Jonny Niesche
»Chocolate Box Portals«

Exhibitions

Sophie Hirsch I Maruša Sagadin
11 September – 17 October 2026

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