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In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

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Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

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Adult female with blonde ponytail in a dark sweatshirt stands with arms crossed amid tall cacti in a sunlit garden.

In the Studio Megan Plunkett, Los Angeles, CA

American artist Megan Plunkett turns away from depicting people, instead focusing on everyday objects. Drawn from consumer culture, and the film industry, her carefully constructed photographic series cultivate a sense of estrangement within things that might otherwise feel familiar.

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Adult man with glasses stands with arms crossed in front of a large framed painting in a bright interior.

Collector Stories Timo Miettinen, Berlin

Timo Miettinen's collection focuses primarily on painting and comprises more than 1,200 works by artists of different generations and nationalities. We met him in his Berlin home and to talk about his passion for collecting, his eye for recognizing talented young artists, and how the art historical canon is likely to change in the future.

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Culture Briefing

Where to meet art, culture and creativity

Nordic Notes

Older woman with glasses sits in a worn red armchair, hand on her cheek, legs drawn up, in a rustic room with wooden walls and a large window.

Marjatta Tapiola, Sysmä
Visiting Marjatta Tapiola, one of the main protagonists of Finnish Neo-Expressionism, in her mansion in Sysmä, a two-hour drive from Helsinki, takes you back in time. From her studio in a 400-year-old threshing house, far removed from the outside world, Marjatta creates her monumental paintings that recount life's cruelty and carnal indulgences and, more recently, increasingly take their inspiration from biblical themes.
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Editions

Two oval perforated panels with dotted patterns and glowing curved blue and pink neon tubes on a white wall.

Raphaela Riepl
»Assorted Flavors«

Dark rocky ground with scattered yellow-outlined graffiti words on stones.

Paul Hutchinson
»two minds thinking two thoughts three words making you soft«

Metallband-Konstruktion mit gebogenen Endstücken, diagonal vor dunklem Hintergrund, abstrakt.

Sofie Thorsen
»Spielplastik«

Exhibitions

Art gallery interior with white walls, numerous framed artworks, and white pedestals displaying sculptures on a parquet floor.

WRAP UP Winter Salon

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