In the Studio James Lewis, Vienna

James Lewis works with the things that remain when certainty disappears — data, photographs, scent, fragments of memory. Born in London, based in Vienna, he builds installations that ask how we construct knowledge, turning a statistic into a sculpture, a memory into a scent.

In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

Person with short platinum blonde hair sits on a green sofa in a living room, looking to the left; colorful flag poster on wall behind.

Collector Stories Christina Steinbrecher-Pfandt, Vienna

A day without art is almost impossible to imagine in the life of Christina Steinbrecher-Pfandt. For years she has been a collector of contemporary art and calls the international art arena her home. We met the former artistic director of viennacontemporary and spoke with her why art and collecting holds a particular allure for her, and the impact social media are making on the art market.

Culture Briefing

Where to meet art, culture and creativity

Nordic Notes

Smiling person in a black t-shirt stands in a textile workshop beside shelves of yarn cones and fabric rolls.

Pia Ferm, Frankfurt
Be it carving, weaving or tufting, Pia Ferm defines herself as a sculptor. In her neat tapestries, hand-trimmed to keep the surface alive, the Swedish artist mixes a pretty medium with humor, creating figures that are frozen in time like cartoons. Time is essential for Ferm but not in the way you might think. She has plenty of it.
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