In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

Adult female with blonde ponytail in a dark sweatshirt stands with arms crossed amid tall cacti in a sunlit garden.

In the Studio Megan Plunkett, Los Angeles, CA

American artist Megan Plunkett turns away from depicting people, instead focusing on everyday objects. Drawn from consumer culture, and the film industry, her carefully constructed photographic series cultivate a sense of estrangement within things that might otherwise feel familiar.

Man and woman sit on a white sofa, conversing in a bright living room with a coffee table and teapot.

Collector Stories Miriam Strobach and Gregor Einetter, Vienna

The studio of Miriam Strobach and Gregor Einetter is located in the attic of a magnificent house in Vienna’s inner city, the former apartment of the designer Helmut Lang. These two creatives are the founders of the agency “Le Foodink”, which combines design with culinary matters, as well as observing and commenting on the bustling Viennese art scene.

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Poster for Julian Charrière's 'Spiral Economy' exhibition at Museo Corner Venezia during the Venice Biennale.

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Adult woman in red blouse sits beside a window with a small scruffy dog, surrounded by potted plants in a cozy living room

Terike Haapoja, New York City
From launching a political party for the others – all beings excluded from political society today – to the critique of human exploitation of the nonhuman world, Finnish new media artist Terike Haapoja is situating her art to encompass the most difficult topics of our time. She has a message for us: not only do we have a necessity to break the human-centered world order, but also to foster better communication between each other.
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