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In the Studio James Lewis, Vienna

James Lewis works with the things that remain when certainty disappears — data, photographs, scent, fragments of memory. Born in London, based in Vienna, he builds installations that ask how we construct knowledge, turning a statistic into a sculpture, a memory into a scent.

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In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

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Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

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Person with glasses and beard wearing a black zip-up jacket stands with hands in pockets in an industrial setting with metal stairs and blue railings.

Collector Stories Jens-Peter Brask, Copenhagen

Jens-Peter Brask is a curator, publisher and passionate art collector. What began with an early fascination with graffiti as a form of artistic expression led to the fact that art has entered his life throughout.

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Culture Briefing

Where to meet art, culture and creativity

Nordic Notes

Man seated beside a white column, talking on a cellphone against a textured, weathered wall.

Julius Göthlin, Stockholm
A frontrunner of contemporary abstract painting in Sweden, Julius Göthlin’s work to the observer might appear to depart from notions of space and various natural phenomena. In his own view however, his practice largely stems from striving to propel energies and feelings through physical structures.
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Editions

Three framed prints of a stylized monument with a pointed spire, displayed in a row on a white gallery wall (pink, olive, blue).

Andreas Werner
»the mad abstract dark, ground it«

Grüne Schiefertafel auf Holzauflage, rote Schnur spannt vom Tafelrand zu einem senkrecht stehenden Bleistift; weißer Hintergrund.

Sophia Pompéry
»Worlds (small Germany)«

Two tall blue abstract panels hung on a white gallery wall, suspended by thin wires with wooden top and bottom bars.

Andreas Duscha
»Perpetuum«

Exhibitions

Sophie Hirsch I Maruša Sagadin
11 September – 17 October 2026

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