In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

Adult female with blonde ponytail in a dark sweatshirt stands with arms crossed amid tall cacti in a sunlit garden.

In the Studio Megan Plunkett, Los Angeles, CA

American artist Megan Plunkett turns away from depicting people, instead focusing on everyday objects. Drawn from consumer culture, and the film industry, her carefully constructed photographic series cultivate a sense of estrangement within things that might otherwise feel familiar.

Person sitzt an Marmortisch in hellem Raum, trägt schwarzes Hemd und Brille, schaut neutral zur Kamera; Keramikgefäße auf Tisch.

Collector Stories Kristian Roland, Aarhus

What started out as an interest of his father’s, turned out to impact the life of young art collector Kristian Roland in a surprising way. Art became a focal point in his life, which the growing art collection in his home bears witness to. For Kristian, artworks are carriers of stories, the best of which challenge the spectator and serve as gateways for unexplored territory.

Culture Briefing

Where to meet art, culture and creativity

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Die Swab Barcelona findet vom 8. bis 11. Oktober im Victoria-Eugenia-Palast
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Founded in 2013, PARALLEL Vienna is dedicated to transforming unconventional, vacant spaces into dynamic exhibition venues. Held annually in September, the fair offers a curated, experimental environment where emerging talents intersect with established artists, galleries, institutions, and independent initiatives. Emphasizing site-specific interventions, performances, and artist-led projects—enhanced by music events and culinary concepts—PARALLEL Vienna fosters novel experiences and encounters between art, its creators, and the audience

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Each autumn, 24 Vienna-based galleries invite international curators to respond to a changing theme in the form of an exhibition, reflecting on the pressing issues of our time. The 17th edition of curated by will take place from September 11 to October 17, 2026, unfolding across Vienna under the theme of “LOVE” and affirming its role as a hub for artistic experimentation and critical discourse. Rooted in collaboration between galleries in Vienna and initiated to foster international exchange, curated by offers an overview of the multifaceted landscape of contemporary art in the city.

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Iranian-born artist Soli Kiani creates a body of work in which fabric becomes both a formative substance and a carrier of social meaning. Themes such as origin, physicality, and negotiating patriarchal structures are combined in her work with a distinctive, sculptural language. For the Dominikanerkirche Krems, she has conceived a spatial installation in which textile materials serve as the central artistic medium.

Nordic Notes

Black model stands in a showroom between dark leather jackets and white padded garments, wearing a sleeveless gray dress with arms folded.

Sandra Mujinga, Oslo/Berlin
Inspired by science fiction and animal survival strategies, Congolese-Norwegian artist Sandra Mujinga explores themes of visibility and surveillance. She builds her own speculative space with ghosts from colonial history that she ties to difficult and sometimes uncomfortable questions pertaining to today.
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