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In the Studio James Lewis, Vienna

James Lewis works with the things that remain when certainty disappears — data, photographs, scent, fragments of memory. Born in London, based in Vienna, he builds installations that ask how we construct knowledge, turning a statistic into a sculpture, a memory into a scent.

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In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

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Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

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Young adult in navy V-neck sweater stands with hands in pockets in a bright minimalist room, with wall photo, card display, and orange book on table.

Collector Stories Lukas Jakob, Gundelfingen, Germany

Lukas Jakob started his private collection of Contemporary Art in 2016 by buying a tie by Katharina Grosse. His last acquisitions, however, are incomparably larger: he now concentrates on expansive installations. His residence in the tri-border area between Germany, Switzerland and France gives him a regional and international outlook on art.

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Culture Briefing

Where to meet art, culture and creativity

Nordic Notes

Back view of a person with a top knot wearing a black T-shirt reading 'DEAD INSIDE BUT STILL HAVE FUN', standing in a bright attic studio.

Toni R. Toivonen, Hämeenkoski
Toni R. Toivonen reflects on the duality of life. Moving between abstraction and realism, his golden-hued works on brass depict decaying animals lying recumbent. As the dead animal’s body decomposes it leaves its presence on a sheet of brass, an aesthetic image that is both peaceful and dignified.
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Editions

Two framed abstract paintings on a white wall; left blue and green shapes on blue, right pink with green and blue brushstrokes.

Ilari Hautamäki
»Sketch for dawn«

Two small abstract canvases hung on a white gallery wall; left beige with brown blot, right dark yellow-brown marbled swirl.

Toni R. Toivonen
»Short Story«

Abstract composition: two orange curved bands frame white shapes inside a blue rectangle.

Martin Lukáč
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Exhibitions

Sophie Hirsch I Maruša Sagadin
11 September – 17 October 2026

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