In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

Adult female with blonde ponytail in a dark sweatshirt stands with arms crossed amid tall cacti in a sunlit garden.

In the Studio Megan Plunkett, Los Angeles, CA

American artist Megan Plunkett turns away from depicting people, instead focusing on everyday objects. Drawn from consumer culture, and the film industry, her carefully constructed photographic series cultivate a sense of estrangement within things that might otherwise feel familiar.

Gray-haired man in a dark blazer sits on a light sofa, leaning forward and looking to the left, in a modern studio with sculptures.

Collector Stories Michael Trestik, Prague

Married to famous documentary filmmaker Helena Trestikova and father to Tomas Trestik, one of the leading Czech photographers, Michael Trestik is a person of public interest himself, with an interesting biography. He is also a passionate collector of antiques, ceramics, and art. We met Michael Trestik in his home above the rooftops of Prague’s Letná district and talked with him, among others, about his passion for collecting, why he is now divesting of his collection nonetheless, and what motivated him lately to trade in his pencil for an artist‘s crayon.

Culture Briefing

Where to meet art, culture and creativity

Poster for Julian Charrière's 'Spiral Economy' exhibition at Museo Corner Venezia during the Venice Biennale.

Nordic Notes

Smiling person in a black t-shirt stands in a textile workshop beside shelves of yarn cones and fabric rolls.

Pia Ferm, Frankfurt
Be it carving, weaving or tufting, Pia Ferm defines herself as a sculptor. In her neat tapestries, hand-trimmed to keep the surface alive, the Swedish artist mixes a pretty medium with humor, creating figures that are frozen in time like cartoons. Time is essential for Ferm but not in the way you might think. She has plenty of it.
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