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In the Studio James Lewis, Vienna

James Lewis works with the things that remain when certainty disappears — data, photographs, scent, fragments of memory. Born in London, based in Vienna, he builds installations that ask how we construct knowledge, turning a statistic into a sculpture, a memory into a scent.

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In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

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Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

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Two adults chat at a marble table in a bright room with a bookshelf; one gestures with hands, the other smiles. Teapot and cups on the table.

Collector Stories Rosa Lleó and Gabriel Nogueira, Barcelona

When Rosa and her husband Gabriel met in London, they did bond over music, but soon also discovered a shared interest in art. Their Barcelona apartment, near Sagrada Família, is home to a carefully selected collection of, mainly, limited edition artworks, complemented by other objects and finds from their travels, which either hold a specific story, or which have marked an important event in the couple’s lives.

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Culture Briefing

Where to meet art, culture and creativity

Nordic Notes

Older woman with glasses sits in a worn red armchair, hand on her cheek, legs drawn up, in a rustic room with wooden walls and a large window.

Marjatta Tapiola, Sysmä
Visiting Marjatta Tapiola, one of the main protagonists of Finnish Neo-Expressionism, in her mansion in Sysmä, a two-hour drive from Helsinki, takes you back in time. From her studio in a 400-year-old threshing house, far removed from the outside world, Marjatta creates her monumental paintings that recount life's cruelty and carnal indulgences and, more recently, increasingly take their inspiration from biblical themes.
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Editions

Diptych: left panel with dark blue textured surface; right panel with blue and white speckled pattern.

Clemens Wolf
»Expanded Metal Pigment Paintings«

Metallband-Konstruktion mit gebogenen Endstücken, diagonal vor dunklem Hintergrund, abstrakt.

Sofie Thorsen
»Spielplastik«

Pedestal-mounted electrical outlet with a coiled cord, atop a cross-section of soil, against a black background

Doug Aitken
»Twilight (earth-core)«

Exhibitions

Sophie Hirsch I Maruša Sagadin
11 September – 17 October 2026

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