In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

Adult female with blonde ponytail in a dark sweatshirt stands with arms crossed amid tall cacti in a sunlit garden.

In the Studio Megan Plunkett, Los Angeles, CA

American artist Megan Plunkett turns away from depicting people, instead focusing on everyday objects. Drawn from consumer culture, and the film industry, her carefully constructed photographic series cultivate a sense of estrangement within things that might otherwise feel familiar.

Two adults chat at a marble table in a bright room with a bookshelf; one gestures with hands, the other smiles. Teapot and cups on the table.

Collector Stories Rosa Lleó and Gabriel Nogueira, Barcelona

When Rosa and her husband Gabriel met in London, they did bond over music, but soon also discovered a shared interest in art. Their Barcelona apartment, near Sagrada Família, is home to a carefully selected collection of, mainly, limited edition artworks, complemented by other objects and finds from their travels, which either hold a specific story, or which have marked an important event in the couple’s lives.

Culture Briefing

Where to meet art, culture and creativity

Poster for Julian Charrière's 'Spiral Economy' exhibition at Museo Corner Venezia during the Venice Biennale.

Nordic Notes

Male artist leaning on a wooden cabinet in an art studio, with paint jars and an abstract painting in the background.

Johannes Hägglund, Stockholm
Swedish painter Johannes Hägglund belongs to a fortunate few within his generation of artists who have had the good fortune to be represented by a reputable gallery while still at art school. In this interview, Johannes elaborates on how decisions and choices in his practice relate to the continuous striving to evolve his craft as a painter. While neither a purely abstract nor figurative painter, the artist says he is less interested in the motif than in the associated painterly process.
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