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In the Studio James Lewis, Vienna

James Lewis works with the things that remain when certainty disappears — data, photographs, scent, fragments of memory. Born in London, based in Vienna, he builds installations that ask how we construct knowledge, turning a statistic into a sculpture, a memory into a scent.

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In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

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Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

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Two adults posing and smiling in a bright, modern living space with a staircase, geometric metal chandelier, and bookshelf.

Collector Stories Axel Anderl and Kathrin Weber, Vienna

Kathrin Weber and Axel Anderl, two successful lawyers, share not only a passion for art, but a flat in the attic of a Viennese Gründerzeit house. When the latter became too small for the contemporary art they had collected, the idea for an art space was born.

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Culture Briefing

Where to meet art, culture and creativity

Nordic Notes

Artist seen from behind, adjusting a large black canvas in a bright studio with neon-yellow artwork on the wall.

Ville Kylätasku, Berlin
Ville Kylätasku explores existential themes both on the level of the reality we see and experience, and within the context of perceptual psychology. Painted on black or foggy sheets of hi-tech PVC, the paintings evince the artist’s fascination for different materials, textures and processes.
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Editions

Colorful cross-shaped interlocking blocks forming a 4-by-4 grid on a white surface.

Anna Jermolaewa
»Adapters«

Two framed abstract paintings on a white wall; left blue and green shapes on blue, right pink with green and blue brushstrokes.

Ilari Hautamäki
»Sketch for dawn«

Two nude adults embrace on a bed; close-up of intertwined arms, visible forearm tattoo, and purple-tinted fingers.

Stefanie Moshammer
»Fred's Sword«

Exhibitions

Sophie Hirsch I Maruša Sagadin
11 September – 17 October 2026

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