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In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

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Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

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Adult female with blonde ponytail in a dark sweatshirt stands with arms crossed amid tall cacti in a sunlit garden.

In the Studio Megan Plunkett, Los Angeles, CA

American artist Megan Plunkett turns away from depicting people, instead focusing on everyday objects. Drawn from consumer culture, and the film industry, her carefully constructed photographic series cultivate a sense of estrangement within things that might otherwise feel familiar.

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Young adult in navy V-neck sweater stands with hands in pockets in a bright minimalist room, with wall photo, card display, and orange book on table.

Collector Stories Lukas Jakob, Gundelfingen, Germany

Lukas Jakob started his private collection of Contemporary Art in 2016 by buying a tie by Katharina Grosse. His last acquisitions, however, are incomparably larger: he now concentrates on expansive installations. His residence in the tri-border area between Germany, Switzerland and France gives him a regional and international outlook on art.

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Culture Briefing

Where to meet art, culture and creativity

Nordic Notes

Smiling adult person leaning on a large painting panel in an art studio with framed canvases nearby.

Reima Nevalainen, Porvoo
Humans and nature serve as the subject matter of Reima Nevalainen’s multi-layered collage paintings – not as conflicting elements, however, for human gestures and nature coexist as equals in his compositions. He mines his subject matter from personal experience, trusting in the intuitive power of the subconscious.
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Editions

White wall with a black geometric wall sculpture and a crumpled black-and-white grid-patterned textile hanging beside a doorway.

Esther Stocker
»Knitterskulpturen«

Two rectangular abstract paintings hung on a white wall; left panel cobalt blue with multicolored shapes, right panel dark gray with blue patches.

Yorgos Stamkopoulos
»Untitled«

Vintage baby carriage (pram) with canopy and large spoked wheels on display in a neutral studio.

Thomas Ruff
»Zeitungsfoto 021«

Exhibitions

Sophie Hirsch I Maruša Sagadin
11 September – 17 October 2026

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