In the Studio James Lewis, Vienna

James Lewis works with the things that remain when certainty disappears — data, photographs, scent, fragments of memory. Born in London, based in Vienna, he builds installations that ask how we construct knowledge, turning a statistic into a sculpture, a memory into a scent.

In the Studio Cecilia Vicuña, New York

Cecilia Vicuña’s practice moves fluidly between poetry, sculpture, textile, and performance, always returning to what she calls arte precario: an art built from debris, unspun wool, feathers, and stone that she has been making since 1966. Rooted in Indigenous Andean knowledge systems, and above all in the khipu—the knotted cord long dismissed as a mere accounting device—her work reframes precariousness and fragility as forms of consciousness rather than loss.

Person with long wavy hair sits on a stool in a gallery, looking at the camera, wearing a navy jacket; left wall covered in blue Life posters.

In the Studio Robin Kid, Rambouillet, France

Robin Kid works with images that feel less made than encountered. Cowboys, cops, fragments of cartoon Americana: images that existed long before he picked them up, suspended somewhere between memory and mass culture. Raised in the south of the Netherlands by his grandparents, in a former mining neighbourhood bordering an American army base, he grew up with the idea of the U.S. glowing faintly from the other side of the fence.

Ältere Person in dunklem Sakko und weißem Hemd, frontal im Innenraum; linke Wand mit abstrakter Kunst (schwarz/gold), rechte Wand mit gelbem Quadrat.

Collector Stories Franz Wojda, Vienna

The Sigrid and Franz Wojda collection is among the most renowned in the German-speaking world and focuses on reductive, conceptual, and analytical Austrian and international contemporary art. We met Franz Wojda in his apartment and asked him about the influence that minimalist art had had on him personally, the beginnings of their collection, and also about his recently published book on collecting contemporary art.

Culture Briefing

Where to meet art, culture and creativity

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For the 22nd time, VIENNA ART WEEK puts Vienna’s vibrant art scene in the spotlight. Under this year’s theme, “Navigating Angst,” the festival explores the fears and uncertainties of our time. Together with around 70 programme partners, the festival offers a full week of inspiring art – from contemporary to Baroque – with free admission.

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Iranian-born artist Soli Kiani creates a body of work in which fabric becomes both a formative substance and a carrier of social meaning. Themes such as origin, physicality, and negotiating patriarchal structures are combined in her work with a distinctive, sculptural language. For the Dominikanerkirche Krems, she has conceived a spatial installation in which textile materials serve as the central artistic medium.

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With Elisabeth von Samsonow, the Heidi Horten Collection is dedicating a major solo exhibition to an artistic and philosophical perspective that transcends narrow disciplinary boundaries. This is the first time that Elisabeth von Samsonow’s multifaceted body of work has been presented on this scale, showcasing its artistic breadth and intellectual depth.

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ART COLOGNE is the world's oldest and one of the most important fairs for modern and contemporary art. Every year, renowned galleries, artists, collectors and art lovers meet in Cologne to discover high-calibre paintings, sculptures, photographs, installations and digital artworks. As an international art fair, ART COLOGNE sets standards in the art market and offers a unique platform for dialogue between artists and investors. Visit ART COLOGNE and experience high-quality works of art, exciting special exhibitions and exclusive vernissages in an inspiring atmosphere.

Nordic Notes

Collectors Agenda's view on the Nordic art scene

Artist in dark sweater gestures toward a lime-green hooded sculpture; another lime-green figure on a wooden pedestal in a bright studio.

Kim Simonsson, Fiskars
With references to fairytale characters, manga films and computer games, Kim Simonsson’ sculptures are very distinctive. His dreamy figures are a touch menacing, yet simultaneously fragile and frail. They all share an appearance that is solitary and a little sad, tinged with a sense of uncertainty or uneasiness that is stirred among the viewer. Who are they, and where are they going?
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