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Stanislav Zábrodský

In the Studio Stanislav Zábrodský, Prague

Pine rosin becomes a time capsule, limestone carries the traces of human activity, pressed into forms that simulate geological processes spanning millennia. In his reliefs and installations, Stanislav Zábrodský investigates how time and materiality unfold, in an era dominated by human influence.

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Pamela Rosenkranz

In the Studio Pamela Rosenkranz, Zurich

Swiss artist Pamela Rosenkranz combines biology, technology and culture into her work. Through sculptures, installations and paintings, she explores questions such as the conflict between scientific description and subjective experience, or the boundary between nature and artificiality.

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Ju Young Kim

In the Studio Ju Young Kim, Seoul

Ju Young Kim’s sculptural and installation-based practice unfolds from a position of movement and transition. Working with materials such as glass and industrial forms drawn from transportation and architecture, she explores states of in-betweenness, temporary inhabitation, and suspended time.

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Nina Gscheider and Franz Ihm

Collector Stories Nina Gscheider and Franz Ihm, Vienna

Not only are Nina Gscheider and Franz Ihm passionate about collecting art, but they also want to bring art insurance into the twenty-first century by offering insurance for works of art and other important items online via their platform Segurio. During a conversation in their Viennese apartment the two provide insight into their life between policies, international fairs – and above all – works of art.

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Culture Briefing

Where to meet art, culture and creativity

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Robert Rauschenberg (1925–2008) is considered one of the most influential American artists of the twentieth century and a pioneer of Pop Art and Conceptual Art. He became internationally renowned for his “Combines”, in which he fused everyday materials and printed media with abstract painting. Through these works, he sought to bridge the gap between art and life. The Kunsthalle Krems is presenting the first comprehensive solo exhibition of Rauschenberg’s work in Austria. The retrospective concludes an international series of exhibitions commemorating the artist’s 100th birthday.

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Seven weeks, 14 opera productions, three world premieres and a wealth of concerts: this is the Munich Opera Festival 2026. The programme covers a wide range: from Baroque – with George Frideric Handel’s *Alcina* as the festival premiere at the Prinzregententheater – through 19th-century opera classics to contemporary musical theatre. With Brett Dean’s Of One Blood – a commission from the Bavarian State Opera – the world premiere production from the current season returns once again to the Nationaltheater. With the festival premiere of Richard Wagner’s Die Walküre at the Nationaltheater, Tobias Kratzer and Vladimir Jurowski set another milestone for the new Munich Ring of the Nibelung, following their acclaimed production of Rheingold.

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The exhibition Spiral Economy at the Museo Correr stages a dialogue between Julian Charrière and Antonio Canova, placing stone at the center as a poetic material and witness of time. It invites reflection on the relationship between humanity, matter, and time, presenting stone as a living bearer of geological and planetary history.

Nordic Notes

Simon Dybbroe Møller

Simon Dybbroe Møller, Berlin
Whether working with film, sculpture, installation or the written word, Simon Dybbroe Møller’s work always comes back to the photographic image. Interested in how we are shaped by the media we create, the Danish born, Berlin-based artist questions “how it feels to be bodies tumbling or stumbling through this world”.
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Editions

Lúa Coderch

Lúa Coderch
»Souvenir [Onyx]«

Andreas Werner

Andreas Werner
»the mad abstract dark, ground it«

Ilari Hautamäki

Ilari Hautamäki
»Sketch for dawn«

Exhibitions

WRAP UP Winter Salon

WRAP UP Winter Salon

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